I was walking very fast when my foot caught on something that sent me stumbling a few meters away, I wanted to know the cause. In a dream I had built a palace, a castle or caves, I cannot express it well... I told no one about it for fear of being ridiculed and I felt ridiculous myself. Then fifteen years later, when I had almost forgotten my dream, when I wasn't thinking of it at all, my foot reminded me of it. My foot tripped on a stone that almost made me fall. I wanted to know what it was... It was a stone of such a strange shape that I put it in my pocket to admire it at my ease. The next day, I went back to the same place. I found more stones, even more beautiful, I gathered them together on the spot and was overcome with delight... It's a sandstone shaped by water and hardened by the power of time. It becomes as hard as pebbles. It represents a sculpture so strange that it is impossible for man to imitate, it represents any kind of animal, any kind of caricature.
“As Neil Postman pointed out in the 1980s, we’re far more attuned to Orwellian threats to freedom such as coercion and force, than to the subtler, more indirect threats of persuasion or manipulation of the sort Aldous Huxley warned us about when he predicted that it’s not what we fear but what we desire that will control us. Yet today these Huxleyan threats pose the far greater risk, and I’m extremely encouraged that the Nine Dots Prize Board has chosen to give its attention to these pressing matters. Their important question is not only compelling but also timely, and this competition is a fascinating and original way of putting such a crucial subject on the societal radar.”